Damn Animals: Tobias Brill
SPECIAL HOURS WITH THE ARTIST on Saturdays, February 6th, 13th, 20th from 10am to 2pm.
SPECIAL HOURS WITH THE ARTIST on Saturdays, February 6th, 13th, 20th from 10am to 2pm.
Phan Nguyen Barker was born in Vietnam during the dissolution of French Indochina, as the country was being divided into the North, governed by communist rebels, and the South, governed by a former emperor. Woven into the backdrop of the Vietnam War, this exhibition is the poignant visual narrative of a young girl's journey from her village home in North Vietnam, to the South, and finally to America.
Featuring works on paper and sculpture, Impermanence, our retrospective on the works of Shingo Honda (continues).
Previous exhibition: https://ehcc.org/content/impermanence
Exhibition Curated by Andrzej Kramarz
This year the exhibition will start on November 7th (Saturday) with normal gallery hours of 10am-4pm, Tuesday-Friday. The EHCC will be adhering to the following GALLERY Policies and Procedures at this time:
32nd Annual Trash Art Show 2020
October 3rd - 30th
Ira Ono, founder of “The Trash Show: Hawaii Artists Recycle,” will be returning to jury the 32nd anniversary of one of East Hawaii’s longest-running annual arts events. In addition to the show’s display of various Big Island trash art, Ono will be having a retrospective of his early wearable art, “The TrashFace Collection,” featuring work created from discarded, recycled materials.
REMAINS: Dialectics of Nature and Artifice
Duo Exhibition of New Works by Pier Fichefeux and Daniel Sheinfeld Rodriguez
June 5 to July 31, 2020
The work of the painter, the poet or the musician, like the myths and symbols of the savage, ought to be seen by us, if not as a superior form of knowledge, at least as the most fundamental and the only one really common to us all. ―Claude Levi-Strauss
Our office hours will be limited, but we're always available over social media (Facebook and Instagram @ehcchmoca), email ([email protected]), or voicemail (808-961-5711)
In December, the Makai gallery of the East Hawaii Cultural Center features a solo exhibition by Shelby B. Smith exploring ceramic media through alternative processes. Smith’s fields of study, both architecture and ceramics, conflate in the “theoretical vessel” – an object by which space becomes an artifact of human design and interaction.
artifact